header-left
File #: 0251X-2018    Version: 1
Type: Ceremonial Resolution Status: Passed
File created: 9/5/2018 In control: Hardin
On agenda: 9/17/2018 Final action: 9/19/2018
Title: To honor, recognize and celebrate the life of Aretha Louise Franklin and to extend our sincerest condolences to her family and friends on the occasion of her passing, Thursday, August 16, 2018.
Sponsors: Shannon G. Hardin, Elizabeth Brown, Mitchell Brown, Jaiza Page, Emmanuel V. Remy, Michael Stinziano, Priscilla Tyson
Title
To honor, recognize and celebrate the life of Aretha Louise Franklin and to extend our sincerest condolences to her family and friends on the occasion of her passing, Thursday, August 16, 2018.


Body
WHEREAS, Aretha Franklin was born on March 25, 1942 in Memphis, Tennessee to Barbara and Clarence Franklin - she grew up in Detroit, Michigan; and

WHEREAS, Ms. Franklin started teaching herself to play the piano - there were two in the house - before she was 10, picking up songs from the radio and from Ms. Clara Ward’s gospel records. Around the same time, she stood on a chair and sang her first solos in church; and

WHEREAS, At 12, Ms. Franklin joined her father on tour, sharing concert bills with Ms. Clara Ward and other leading gospel performers. Recordings of a 14-year-old Ms. Franklin performing in churches - playing piano and belting gospel standards to ecstatic congregations - were released in 1956. Her voice was already spectacular.

WHEREAS, As a young gospel singer Ms. Franklin spent summers on the circuit in Chicago, staying with Mavis Staples’ family, After turning 18, Aretha confided to her father that she aspired to follow Sam Cooke in recording pop music; and

WHEREAS, Ms. Franklin decided to build a career in secular music. Leaving her children with family in Detroit, she moved to New York City. John Hammond, the Columbia Records executive who had championed Billie Holiday , signed the 18-year-old Ms. Franklin in 1960, for her first studio album, “Aretha,” which sent two singles to the R&B Top 10: “Today I Sing the Blues” and “Won’t Be Long.” The annual critics’ poll in the jazz magazine DownBeat named her the new female vocal star of the year.

WHEREAS, When Ms. Franklin sang “Respect,” the Otis Redding song that became her signature, it was never just about how a woman wanted to be greeted by a spouse coming home from work. It was a demand for equality and freedom and a harbinger of feminism, carried by a voice that would accept nothing l...

Click here for full text